I have to admit, my entire experience with silent movies consists of maybe two Charlie Chaplin films when I was a kid (thanks to my dad) and a short segment of the silent epic Birth of a Nation in college. As a proud member of Generation Y, these types of films seem more foreign to me than, well, foreign films, because let’s face it, we’re loud. Think about how often in a day you can actually hear silence. I can barely take a nap without having a fan on in the background! Still, silent films aren’t completely devoid of entertainment. They’re built for laughs, with their exaggerated characters and melodramatic plots. It’s slapstick comedy slapped on the big screen. Nobody went to a silent film to have a bad time.
For a film like The Artist to revive that era of filmmaking had to be the marketing quagmire of the century. Here’s how that conversation probably went in the board room:
Michel Hazanavicius: “Hey, I want to make a movie in black and white!”
Producers: “Oh. Well, okay, it worked out well for Good Night and Good Luck…”
Michel: “And it’ll be a silent picture.”
Producers: “Oh…are there going to be subtitles…?”
Michel: “Better! Dialogue cards!”
Producers: “You can have ten dollars.”
In spite of overwhelming odds, The Artist is every bit as charming as you could hope it to be. Michel Hazanavicius nails the look and feel of a traditional silent film to the point where it seems unbelievable it was made in the new millennium.